| 2023-01 |
Character Networks, the Zero Function, and the Lost Character: Solving Three Anomalies in Plot Genotype Theory |
Narrative
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| 2023-01 |
The Short Story and Intertextuality: Fictional Discreteness, Textual Self-Sufficiency and the Concept of the Uncanny Resemblance |
Critique - Studies in Contemporary Fiction
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| 2019-03 |
Irresolute Endings and Rhetorical Poetics: Readers Respond to "Cat Person" |
STYLE
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| 2018-03 |
Coincidence and Counterfactuality: The Multiple Plot Structure of The Talented Mr. Ripley (1999) |
FILM CRITICISM
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| 2017-12 |
What Makes a Modernist Short Story a Story?: The Case of Katherine Mansfield’s ‘At “Lehmann’s”’ |
JOURNAL OF LANGUAGE LITERATURE AND CULTURE
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| 2017-04 |
Unreliable Third Person Narration? The Case of Katherine Mansfield |
JOURNAL OF LITERARY SEMANTICS
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| 2012-04 |
Defining the reliable narrator: The marked status of first-person fiction |
JOURNAL OF LITERARY SEMANTICS
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| 2012-03 |
"Almost like a fairy tale or something": Defining the concept of neo-proppian plot function in Martin McDonagh's in bruges |
STYLE
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| 2011-12 |
Levels of Style in Narrative Fiction: An Aspect of the Interpersonal Metafunction |
Situations: Cultural Studies in the Asian Context
|
| 2009-12 |
Secrets and Revelations: Character Co-reference Choice as an Aspect of the Plot in James Joyce's Dubliners |
Style
|
| 2009-12 |
Thought and Speech Representation in Fiction, with Notes of Film Adaptation |
Situations: Cultural Studies in the Asian Context
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| 2008-12 |
Refining John Swales's CARS Model for EFL Students |
International Journal of Applied Linguistics
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| 2008-11 |
Opening the pathway: Plot management and the pivotal seventh character in Daphne du Maurier's Don't Look Now |
Journal Of Literary Semantics
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| 2008-02 |
The pivotal eighth function and the pivotal fourth character: resolving two discrepancies in Vladimir Propp's Morphology of the Folktale |
LANGUAGE AND LITERATURE
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| 2008-01 |
From Alignment to Commitment: The Early Work of James Kelman |
Cultural Logic
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| 2007-01 |
Monitored speech: The "equivalence" relation between direct and indirect speech in Jane Austen and James Joyce |
NARRATIVE
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